My favorite thing about Seasaw is the passion and intention they have behind every single piece of music they put out and every single performance they give.

It’s much sadder than Seasaw’s usually breezy indie pop, but “Inventor” presents the constant bummer with a wink.

Their sound melds garage rock rawness with bright pop arrangements, evoking indie bands like the White Stripes, the Yeah Yeah Yeahs, Sleater-Kinney or the New Pornographers.

"The umbrella of indie-pop is a large one, but Seasaw is clearly comfortable stretching out underneath it, going in the directions that move them. And in Madison, they’re among the best at what they do."

"The track itself is upbeat and folksy, highlighting the very best that the falsetto harmonies of Golz and Wilczewski have to offer."

"The album's title track may start with the sound of seemingly enraged guitar, but the pair incorporate a lightness into their noise, with tender, curious vocals that serve as a voice of reason in a world overwrought with misogyny."

“The song is an arresting narrative of a person dealing with depression and the video that accompanies the song brings the reality of that fight to life.”

From the glittery synth-pop track ‘No Way’ which is reminiscent of CHVRCHES to their addictive track ‘God(villa)’ which oozes rock and roll, ‘Big Dogs’ is full of unique moments throughout the record proving that the ladies can, in fact, play with the big dogs.

Everyone’s favorite indie pop duo Seasaw– expertly comprised of Meg Golz and Eve Wilczewski – is back with another new music video for the entrancing track “God(zilla)”.

Starting from a more indie-folk-grassroots kind of basis for their act, they’ve progressed with each step to meld together even more of their real life experiences into their songs. The tool belt for telling their stories, through their music has lengthened and widened, for the benefit of us, the listeners.

"In the clip, Meg Golz and Eve Wilczewski play an athletic trainer and a Godzilla-esque lizard monster, respectively, stomping their way through Madison. And though the destruction is mostly cardboard, it’s still just metaphorical."

"In all, Too Much Of A Good Thing was a solid record, and should provide an important foundation for Seasaw's in-the-works new album."

"They injected new life in Weezer’s classic track from The Blue Album with this cover."

Watch Seasaw perform at the Paste Studio in New York!

Our newest Paste Music & Daytrotter session is live. Recorded in March 2017 at the start of our East Coast Tour in Daytotter's original Futureappletree studios.

'Too Much of a Good Thing' premiere and review thanks to Impose Magazine.

As featured in Nerdist as one of the "Top 5 Underground Albums of July"